the land forging 2 a litrpg saga aleron kong

This is the same as Chekhov’s gun, which I’ve talked about in other articles.Īs a corollary, one of my big sins in several LitRPG/GameLit books is that the outside World makes no sense. However, every element you do choose to put into a book needs to have a place and a reason. Otherwise, you end up with an encyclopedia of random facts. World-Building 101įirst, just because you have an idea in your head doesn’t mean you need to put it into the book. For now, let’s talk about World-building. Geek Dad is right about some of this, wrong about some parts. It’s puerile writing, and where much of it played for supposed laughs, it just comes across as misogynistic and needlessly rude. Half of the protagonist’s internalized bon mots are sexualized stereotypes (women are only mollified by shiny objects, for example), and there’s a running gag for multiple characters making derogatory references about ex-girlfriends and ex-wives.

Female characters mostly fall into three basic categories: Earth-mother types, bitches, and victims of abuse who need to be rescued. I don’t usually discuss this except when it’s more pertinent to something else, which is lazy writing and World-building.įor stories that promote an ideal of racial equality, the enlightenment pretty much stops there, and gender equality (or respect, at least) is nowhere to be seen.

I’m here to talk about the latent sexism in the book. He misses a few points that irk me about the initial story, that Richter never worries about his family or friends in the real World.īut that’s not what I’m here to talk about. Jokes that are intended to be funny, but really make you groan.

This is a common theme in the “Hero Without a Flaw” story, though Richter does have some flaws like looking without leaping, (even though that’s often played for gags rather than as a serious shortcoming he needs to overcome.) He also underestimates a female and goes through a penis eating scene.Aleron doesn’t use Richter’s mistakes to make the character grow, he uses them for a laugh or shock value.

Along with tone jumps, a wildly inconsistent character who bounces between amoral psychopath to village paragon.

It goes from campy stupidity to extreme violence in a few nanoseconds and careens back and forth between those two tent poles with little rhyme or reason. Some of the later books give you the same information back to back to back.

Needless prompts and redundant information.

I enjoyed the land a lot more than he did, but his review hits most of the same complaints that I had with it. This article starts off with this review: Geek Dad Reviews The Land

The land forging 2 a litrpg saga aleron kong